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Posted on September 25, 2013 by Editorial Staff

Diane Von Furstemberg was born in Belgium from a Romanian father and a Greek mother who was an Holocaust survivor. Just 18 months before Diane was born, Liliane Nahmias was imprisoned in Auschwitz. “Fear is not an option” that’s what her mother used to say and that’s what the little Diane put in practice, for all her life. Very first example of working girl, wife to a Prince from which she wanted to  be economically independent, Von Furstemberg has not only shown to the world that healthy principles girls could survive everything –  Studio 54, financial crisis, divorces and the supremacy of men in fashion world – but they could also run enormous businesses and share wealth with others. Her ” The Diller Foundation” provides philanthropic support to the community building, education, arts, health and environment. If you now can walk thorough the “High Line”, that beautiful New York garden constructed on an abandoned railroad, it’s also because of the 20 million dollars donation that The Driller made (the largest single private contribution to a public park in New York City’s history). But Diane also sits on the board of Vital Voices, a women’s leadership organization that empowers emerging women leaders and social entrepreneurs around the world (she is honorary director of the Housatonic Valley Association). In 2010 she created The DVF Awards to support four women who displayed leadership, strength, and courage in their commitment to women’s causes. And for those who are skeptic about this super Cut The Ribbon(s), Dolly Parton’s 1981 song “Working Girl” is dedicated to…guess who?


Posted on June 24, 2013 by Editorial Staff

Not true that normal gets you nowhere. Grace Mirabella served as editor in chief at Vogue between 1971 and 1988 after the reign of Diana Vreeland. The magazine was not going well at that time , her predecessor was misfire and loosing appeal and years were changing, budgets were reduced. Opulence was out of fashion, the country was living a recession, women were hitting the streets to protest against Vietnam or for feminist causes. Women’s “dream” fashion magazine needed to follow up its readers and Mirabella was simply the right person. Born from parents of Italian descent, father was a gambler addict while mother was a feminist, Mirabella entered Conde Nast in 1950.  At that time, Vogue headquarters were not a democratic nor equal place, it was  a crawl for unpaid wealthy girls only but  as a young assistant coming from a lower class, Mirabella cut off for her strong and witty attitude and made a career adopting the less is more philosophy: she were convinced that people were tired of “fashion” and needed clothes. For that reason, she is responsible for creating the image of a generation of women called “business women” as she saw fashion as a way to show evidence that a woman can rise in power. There weren’t so many ribbons in what Mirabella was featuring in Vogue during those years as editor in chief, but if you pay attention to what she did during her short period there , you will see she cut many, literally. And still, in a way, she is what fashion needed in those time and maybe needs now. As the pendulum come and goes, sometimes it’s better to be grounded. And that’s where the genius of Mirabella was.