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HOLD IT WITH REGARD, MORGAN LAPPIN

Posted on December 12, 2014 by Editorial Staff

Work: Mongo Drain Mouth- analog collage

www.morganlappin.com

JESSE RUINS

Posted on December 9, 2014 by Maxim Deluxe

The Tokyo duo Jesse Ruins  move from lush synth-pop to aggressive with their new album ‘Heartless ‘ out now on Desire Records. One of the best records of the year .

http://jesseruins.tumblr.com/

 

 

 

HOLD IT WITH REGARD, MORGAN LAPPIN

Posted on December 5, 2014 by Editorial Staff

 

Oh, talents! A fresh smell of ‘thenextbigthing’ was in the air  when Morgan Jesse Lappin presented his works to The Harlow. Hold On With High Regard will host his work. We suggest you discovering this artist and his webpage. ‘When making collage pieces the images I use come mostly from old encyclopedias, and other older publications. I use nothing more than a physical cut and paste/tape method with all my work. Throughout the years I’ve adopted a few different styles of collage and am always looking for fresh ways to present my work. I spend probably 85% of the time cutting and collecting images and the rest of the time actually making work. I have hundreds of categories with thousands of pre-cut images in folders ready to go. It’ll just take a few more life times to get to it all.’

Morgan Jesse Lappin, collage artist/musician living in Brooklyn. Collage  an OCD passionate since  2007. In December 2013 he put together the Brooklyn Collage Collective, now over 30 members strong.

Work: The Big City – analog collage

www.morganlappin.com

FROM FASHION TO THE BIG SCREEN: CHANEL’S JACKET

Posted on December 3, 2014 by Margherita Nannuzzi

“Among the things that will never go out of fashion there are jeans, white shirt and Chanel’s jacket». These are Karl Lagerfeld’s words, who will present December the 1st a short film entitled Reincarnation, that reveals the anecdote behind the history of the famous Chanel’s jacket: in 1954 the French stylist was particularly impressed by the jacket worn by an usher in a Salzburg’s Hotel. According to the shape of that jacket, Chanel designed a timeless piece of women’s fashion.

Exactly in the early 1950s, when fashion and women returned to dream after the great straits of World War II and while Hollywood was offering sexy beauties from tight-fitting clothes like Marilyn, Coco Chanel, instead, preferred to create simple models and make women’s clothing more functional, without ever sacrificing femininity and elegance.

The male cut tweed jacket characterized by straight line, that Chanel combines almost always with a knee-length skirt, is still very imitated and loved whether on the catwalks or in department stores. Many fashion houses reproduce the model almost every year: just look at Pinko, Elisabetta Franchi, Denny Rose and even Zara’s catalogues, just to list some of the most affordable brand!

The trend of fashion tends to be cyclical, which means that its deepest essence is change, speed, transformation; but those items of fashion like Chanel’s jacket seem to be crystallized by time, because the same pattern of jacket is revived every year with just a few small variations.

One of the last tributes to the Chanel’s jacket is Woody Allen’s one in the movie Blue Jasmine (2013). The white wool Chanel’s jacket and the Hermes bag, worn in many scenes of the movie, symbolize for the female character, heavily exhausted and indebted due to the dirty business of her husband, the only connection with the marvelous life she led in the high society.